RECENT
PUBLICATIONS
BOOKS
& ARTICLES, SCORES,
RECORDINGS,
& DVDs
BOOKS & ARTICLES
Aigner, Michael. Gilbert and Sullivan: A Dual Biography. Oxford: Oxford University Press, 2002.
Allen, Stephen Arthur. “Christianity and Homosexuality in the Operas of Benjamin Britten.” The International Journal of the Humanities 2 (2005): 817-24.
Allen, Stephen Arthur. “Billy Budd: Temporary Salvation and the Faustian Pact.” Journal of Musicological Research 25 (2006): 43-73.
Allen, Stephen Arthur. “Benjamin Britten” and “Michael Tippett.” In Musicians and Composers of the 20th Century. Pasadena, CA: Salem Press, 2008.
Allis, Michael. “Elgar, Lytton, and the Piano Quintet, Op. 84.” Music & Letters 85/2 (2004): 198-238.
Allis, Michael. Parry’s Creative Process. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2003.
Allison, Dale C. The Love There That's Sleeping: The Art and Spirituality of George Harrison. New York: Continuum, 2006.
Altschuler, Eric L. and William Jansen. “Thomas Weelkes and Salamone Rossi: Interconnections.” Musical Times 145 (Autumn 2004): 87-94.
Anderson, Virginia. “Chinese Characters and Experimental Structure in Cornelius Cardew’s The Great Learning.” Journal of Experimental Music Studies (2004).
Aspden, Suzanne. “Desiring Handel: Biography and the Strategies of Possession.” Music & Letters 85 (2004): 62-82.
Aspects of British Music of the 1990s. Edited by Peter O’Hagan. Aldershot, UK: Ashgate, 2003.
Atchison, Mary. The Chansonnier of Oxford Bodleian MS Douce 308: Essays and Complete Edition of Texts. Aldershot, UK: Ashgate, 2004.
Atlas, Allan. “A 41-Cent Emendation: A Textual Problem in Wheatstone’s Publication of Giulio Regondi’s Serenade for English Concertina and Piano.” Early Music 33/4 (2005).
Barger, Judith. Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century England. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate, 2007.
Bashford, Christina. “Varieties of Childhood: John Ella and the Construction of a Victorian Mozart.” In Words About Mozart: Essays for Stanley Sadie, edited by Dorothea Link with Judy Nagley, pp. 193-210. Woodbridge, UK: Boydell Press, 2005.
Bathe’s A Brief Introduction to the Skill of Song. Edited by Kevin Karnes. Music Theory in Britain, 1500-1700: Critical Editions, edited by Jessie Owens. Aldershot, UK: Ashgate, 2005.
Beard, David. “Britten’s Ambiguities; Tippett’s Times; Metzer’s Borrowings.” Journal of the Royal Musical Association 129 (2004): 305-23.
The Beatles and Philosophy: Nothing You Can Think that Can't Be Thunk. Edited by Michael Baur and Steven Baur. Chicago: Open Court, 2006.
Beckman, Janette. Made in the UK: The Music of Attitude, 1977-1983: Essays by Vivien Goldman and Paolo Hewitt. New York: PowerHouse Books, 2005.
Benham, Hugh. John Taverner: His Life and Music. Aldershot, UK: Ashgate, 2003.
Bennett, William Sterndale. Lectures on Musical Life. Edited by Nicholas Temperley with the assistance of Yunchung Yang. Boydell & Brewer, 2006.
Bevin, Elway. A Briefe and Short Instruction of the Art of Musicke. Ed. by Denis Collins. Music Theory in Britain, 1500-1700: Critical Editions. Aldershot, UK: Ashgate, 2007.
Bond, Timothy. “Britten’s Music for Organ: Some New Discoveries.” Musical Times 145 (Summer 2004): 51-7.
Bono in Coversation with Michka Assayas. With a foreword by Bono. New York: Riverhead Books, 2005.
Boydell, Barra. A History of Music at Christ Church Cathedral, Dublin. Woodbridge, UK: Boydell & Brewer, 2004.
Bradley, Ian, ed. The Daily Telegraph Book of Carols. London; New York: Continuum, 2006.
Bradley, Ian. Oh Joy! Oh Rapture! The Enduring Phenomenon of Gilbert and Sullivan. Oxford: Oxford University Press, 2005.
Bramwell, Tony and Rosemary Kingsland. Magical Mystery Tours: My Life with the Beatles. New York: Thomas Dunne Books, 2005.
Brett, Philip. William Byrd and His Contemporaries: Essays and A Monograph. Edited by Joseph Kerman and Davitt Moroney. Berkeley: University of California Press, 2007.
A Briefe Introduction to the Skill of Song by William Bathe. Edited by Kevin C. Karnes. Music Theory in Britain, 1500-1700: Critical Editions. Aldershot, UK: Ashgate, 2005.
Brocken, Michael. The British Folk Revival. Aldershot, UK: Ashgate, 2003.
Brown, Timothy S. “Subcultures, Pop Music and Politics: Skinheads and ‘Nazi Rock’ in England and Germany.” Journal of Social History 38.1 (Fall 2004): 157-78.
Burden, Michael. “Purcell’s Operas on Craig’s Stage: The Productions of the Purcell Operatic Society.” Early Music 32 (2004): 441-58.
Burrows, Donald. Handel and the English Chapel Royal. Oxford Studies in British Choral Music. Oxford: Oxford University Press, 2005.
Bush, Alan. The Correspondence of Alan Bush and John Ireland: 1927-1961. Compiled by Rachel O'Higgins. Aldershot: Ashgate, 2006.
The Cambridge Companion to Elgar. Edited by Daniel M. Grimley and Julian Rushton. Cambridge: Cambridge University Press, 2005.
Carley, Lionel. Edvard Grieg in England. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2006.
Carter, Alexandera. Dance and Dancers in the Victorian and Edwardian Music Hall Ballet. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2005.
Charles Edward Horn’s Memoirs of his Father and Himself. Edited by Michael Kassler. Aldershot, UK: Ashgate, 2003.
Chilton, John. Who’s Who of British Jazz, second edition. London; New York: Continuum, 2004.
Chrissochoidis, Ilias. “A Chubby Orpheus: Handel’s Corpulence as a Prerogative of Genius.” In Consuming Culture in the Long Nineteenth Century: Narratives of Consumption, 1700-1900, ed. Tamara S. Wagner and Narin Hassan, 193-204. Lanham, MD: Lexington Books, 2007.
Chrissochoidis, Ilias. “A ‘fam’d Oratorio ... in old English ... sung: Esther on 16 May 1732.” The Handel Institute Newsletter 18/1 (Spring 2007): [4-7].
Chrissochoidis, Ilias. “Early Reception of Handel’s Oratorios, 1732-1784: Narrative - Studies - Documents.” 2 vols. Ann Arbor, MI: UMI, 2004. [Ph.D. diss., Stanford University, 2004.]
Chrissochoidis, Ilias. “A Handel Relative in Britain? (also Cutting through the 1759 Fence in Handel Studies).” Musical Times 148/1898 (Spring 2007): 49-58.
Chrissochoidis, Ilias. “His Majesty’s Choice: Esther in May 1732.” Newsletter of The American Handel Society 22/2 (Summer 2007): 4-6.
Clayton, Martin and Bennett Zon, eds. Music and Orientalism in the British Empire, 1780s-1940s. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate, 2007.
Cloonan, Martin. Popular Music and the State in the UK: Culture, Trade or Industry? Aldershot, UK: Ashgate, 2007.
Cogan, Visnja. U2: An Irish Phenomenon. Doughcloyne, Wilton, Cork: Collins Press, 2006.
The Collected Letters of Peter Warlock (Philip Heseltine). Edited by Barry Smith. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Cohen, Sara. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Aldershot, UK: Ashgate, 2007.
Concert Life in Eighteenth-Century Britain. Edited by Susan Wollenberg and Simon McVeigh. Aldershot, UK: Ashgate, 2004.
Cook, Mervyn. Britten and the Far East. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2001.
Cooper, Victoria. The House of Novello: Practice and Policy of a Victorian Music Publisher, 1829-1866. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2003.
Cottrell, Stephen. Professional Music-Making in London: Ethnography and Experience. Aldershot, UK: Ashgate, 2004.
Cragg, Stewart R., compiler. Alan Bush: A Sourcebook. Aldershot, UK: Ashgate, 2007.
Crawford, Sue. Ozzy Unauthorized. London: Michael O'Mara Books, 2002.
Czulinski, Winnie. Drone on!: The High History of Celtic Music. Toronto: Sound and Vision, 2004.
Dale, Catherine. Music Analysis in Britain in the Nineteenth and Early Twentieth Centuries. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2003.
Daly, Karina. Tom Walsh's Opera: A History of the Wexford Festival, 1951-2004. Dublin; Portland, OR: Four Courts, 2004.
Dean, Winton. Handel's Operas 1726-1741. Rochester: Boydell Press, 2006.
Dempsey, Sinéad. “Hero or Has Been? Mendelssohn Reception in England and Germany in the 1840s.” British Postgraduate Musicology 6 (January 2004).
Dibble, Jeremy. John Stainer: A Life in Music. Music in Britain 1600-1900. Woodbridge: The Boydell Press, 2007.
Doctor, Jenny. “‘Vital to the Very Survival of Music as a Living Art’: Hans Keller’s Radio World.” Music & Letters 85 (2004): 614-23.
Donaldson, William. Pipers: A Guide to the Players and Music of the Highland Bagpipe. Edinburgh: Birlinn, 2005.
Edgecombe, Rodney Stenning. “‘Singing it out’ in The Two Gentlemen of Verona, Act 1, Scene 2.” ANQ 17.1 (Winter 2004): 12-14.
Edgers, Geoff. Who Were the Beatles? Illustrated by Jeremy Tugeau. New York: Grosset & Dunlap, 2006.
Edward Elgar and His World. Edited by Byron Adams. Bard Music Festival. Princeton: Princeton University Press, 2007.
Edwards, Owain Tudor. English Eighteenth-Century Concertos: An Inventory and Thematic Catalogue. Hillsdale, NY: Pendragon Press, 2004.
Elliott, Graham. Benjamin Britten: The Spiritual Dimension. Oxford: Oxford University Press, 2006.
The English Bach Awakening: Knowledge of J.S. Bach and his Music in England, 1750–1830. Edited by Michael Kassler. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2004.
Europe, Empire and Spectacle in Nineteenth-Century British Music. Edited by Julian Rushton and Rachel Cowgill. Aldershot, UK: Ashgate, 2006.
Fifield, Christopher. Ibbs and Tillett: The Rise and Fall of a Musical Empire. Aldershot, UK: Ashgate, 2005.
The Figure of Music in Nineteenth-Century British Poetry. Edited by Phyllis Welliver. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2005.
Foreman, Lewis. Bax: A Composer and His Time. 3rd rev. ed. Woodbridge; Rochester: Boydell Press, 2007.
Foreman, Lewis and Susan Foreman. London: A Musical Gazetteer. New Haven, CT: Yale University Press, 2005.
Fox, Christopher. “Tempestuous Times: The Recent Music of Thomas Adès.” Musical Times 145 (Autumn 2004): 41-56.
From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century: Proceedings of the National Early Music Association Conference . . .. Edited by Jonathan Wainwright and Peter Holman. Aldershot, UK; Burlington, VT: Ashgate, 2005.
Frontani, Michael R. The Beatles: Image and the Media. Jackson: University Press of Mississippi, 2007.
Gadd, G.S. The British Art Piano and Piano Design: A Conversation with a Reader with Many Digressions. Twickenham, Middlesex: Very Yellow Press, 2006.
Garnett, Liz. The British Barbershopper: A Study in Socio-Musical Values. Aldershot, UK: Ashgate, 2005.
Garnham, Allson M. Hans Keller and the BBC: The Musical Conscience of British Broadcasting, 1959-1979. Aldershot, UK: Ashgate, 2003.
Gedutis, Susan. See You at the Hall: Boston’s Golden Era of Irish Music and Dance. With a foreword by Mick Moloney. Boston: Northeastern University Press, c. 2004.
George Grove, Music and Victorian Culture. Edited by Michael Musgrave. Basingstoke: Palgrave Macmillan, 2003. Includes essays by Musgrave, Christina Bashford, Celia Clarke, Peter Horton, Leanne Langley, Janet Ritterman, Rosemary T. VanArsdel, David Wright, and Percy Young.
Gibbs, Alan. “Edwin Rose (1898-1958): The Diffident Genius.” British Music: Journal of the British Music Society 26 (2004): 40-45.
Gibson, John G. Traditional Gaelic Bagpiping, 1745-1945. Edinburgh: Birlinn, 2005.
Gimarc, George. Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock. San Francisco: Backbeat Books, 2005.
Golby, David J. Instrumental Teaching in Nineteenth-Century Britain. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2004.
Gordon, David and Peter. Musical Visitors to Britain. New York: Routledge, 2005.
Grainger, Percy. Self-Portrait of Percy Grainger. Edited by Malcolm Gillies, David Pear and Mark Carroll. Oxford; New York: Oxford University Press, 2006.
Greene, Joshua. Here Comes the Sun: The Spiritual and Musical Journey of George Harrison. Hoboken, NJ: John Wiley & Sons, 2006.
Gregory, E. David. Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820-1883. Lanham, MD: Scarecrow, 2006.
Gruen, Bob. John Lennon: The New York Years. New York: Stewart, Tabori and Chang, 2005.
Haddon, Elizabeth. Making Music in Britain: Interviews with those Behind the Notes. Aldershot, UK: Ashgate, 2006.
Hall-Witt, Jennifer. Fashionable Acts: Opera and Elite Culture in London, 1780-1880. Durham: University of New Hampshire Press; Hanover: Published by the University Press of New England, 2007.
Halstead, Jill. Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. Aldershot, UK: Ashgate, 2006.
Hardwick, Peter. British Organ Music of the Twentieth Century. Lanham, MD: Scarecrow Press, 2002.
Hardy, Lisa. The British Piano Sonata, 1870-1945. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2001.
Harley, John. “‘My Ladye Nevell’ Revealed.” Music & Letters 86.1 (2005): 1-15.
Harley, John. William Byrd’s Modal Practice. Aldershot, UK: Ashgate, 2005.
Harper, Colin and Trevor Hodgett. Irish Folk, Traditional and Blues: A Secret History. Foreword by Tom Dunne. Wilton, Cork, Ireland: Collins, 2004.
Harper, Sally. Music in Welsh Culture Before 1650: A Study of Principal Sources. Aldershot, UK: Ashgate, 2007.
Harper-Scott, J.P.E. Edward Elgar, Modernist. Cambridge; New York: Cambridge University Press, 2006.
Harper-Scott, J.P.E. “Elgar’s Invention of the Human: Falstaff, Opus 68.” 19th-Century Music 28/3 (Spring 2005), 230-253.
Harris, Ellen T. “Handel the Investor.” Music & Letters 85 (2004): 521-75.
Harris, John. Britpop!: Cool Britannia and the Spectacular Demise of English Rock. Cambridge, MA: Da Capo Press, 2004.
Hast, Dorothea E. and Stan Scott. Music in Ireland: Experiencing Music, Expressing Culture. New York: Oxford University Press, 2004.
Healy, Audrey. The Singer and the Song: Sixty Irish Songwriters and their Favourite Songs. Dublin: Hodder Headline Ireland, 2006.
Heile, Björn. “Darmstadt as Other: British and American Responses to Musical Modernism.” Twentieth-Century Music 1/2 (2004): 161-78.
Heller, Wendy. “The Beloved’s Image: Handel’s Admeto and the Statue of Alcestis.” Journal of the American Musicological Society 58/3 (Fall 2005): 559-637.
Henze, Catherine A. “Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque.” Studies in English Literature 1500-1900 44.2 (Spring 2004): 379-404.
Herissone, Rebecca. ‘To fill, forbear, or adorne’: The Organ Accompaniment of Restoration Sacred Music. Aldershot, UK: Ashgate, 2006.
Hilton, John. Ayres, or Fa La’s for Three Voyces (1627). John Morehen, ed. Madison, WI: A-R, 2003.
Hoare, Philip and Chris Heath. Pet Shop Boys, Catalogue. London: Thames & Hudson, 2006.
Hogwood, Christopher. Handel: Water Music and Music for the Royal Fireworks. Cambridge: Cambridge University Press, 2005.
Hold, Trevor. Parry to Finzi: Twenty English Song-Composers. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Holman, Peter. “Ann Ford Revisited.” Eighteenth-Century Music 1.2 (September 2004): 157-81.
Horton, Peter. Samuel Sebastian Wesley: A Life. Oxford, UK; Oxford University Press, 2004.
Huberman, Anthony. “Kaffe Matthews.” Bomb 89 (Fall 2004): 62-7.
Huismann, Mary L. Frederick Delius: A Guide to Research. New York: Routledge, 2005.
Hutchins, Graham. Eight Days a Week: The Beatles' Tour of New Zealand, 1964. Auckland: Exisle, 2004.
The Idea of Music in Victorian Fiction. Edited by Sophie Fuller and Nicky Losseff. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2004.
Ingham, Chris. The Rough Guide to the Beatles. 2nd ed. London: Rough Guides, 2006.
Jackson, Paul R. W. The Life and Music of Sir Malcolm Arnold: The Brilliant and the Dark. Aldershot, UK: Ashgate, 2003.
Jackson, Stevan R. Tartan and Strings: Ethnography of a Musical Culture. Dubuque, IA: Kendall/Hunt, 2004.
Jarman, Douglas. “The Music of Anthony Gilbert.” Tempo 58.229 (July 2004): 2-17; 58/230 (October 2004): 38-49.
Johnson, Graham. Britten, Voice and Piano: Lectures on the Vocal Music of Benjamin Britten. Edited by George Odam. Aldershot, UK: Ashgate, 2003.
Johnson, Ian. William Alwyn: The Art of Film Music. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Johnson, Shersten. “Britten’s Musical Syllables.” Music & Letters 86/4
(November 2005), 592-622.Jones, Bryony. The Music of Lord Berners 1883-1950: ‘The Versatile Peer’. Aldershot, UK: Ashgate, 2003.
Jones, David. “A Glimpse of Infinity: Time and Stillness in the Music of Jeffrey Lewis.” Musical Times 145 (Winter 2004): 65-74.
Kassler, Jamie C. The Beginnings of the Modern Philosophy of Music in Britain: Francis North’s A Philosophical Essay of Musick (1677) with comments of Issac Newton and Roger North and in the Philosophical Transactions. Aldershot, UK: Ashgate, 2004.
Keebaugh, Aaron C. “Idiomatic Tendencies in Selected Keyboard Works by Thomas Tallis.” British Postgraduate Musicology 6 (2004).
Kennedy, Michael. The Life of Elgar. New York: Cambridge University Press, 2004.
Kenyon, Nicholas. Simon Rattle: From Birmingham to Berlin. Updated edition. London: Faber and Faber, 2002.
Kielty, Martin. Big Noise: The Sound of Scotland. Edinburgh: Black & White Pub., 2006.
Kirwan, Larry. Green Suede Shoes: An Irish-American Odyssey. New York: Thunder's Mouth Press, 2005.
Klaus, Sabine. “William Lander (1763-1843), Mere, Wiltshire: A Forgotten Musical Instrument Maker Rediscovered.” Galpin Society Journal 57 (2004): 3-18.
Klein, Axel. “‘The distant music mournfully murmereth’ - The Influence of James Joyce on Irish Composers.” Ars Lyrica 14 (2004): 71-94.
Klein, Axel. “Stage-Irish, or the National in Irish Opera, 1780-1925.” The Opera Quarterly 21/1 (2005): 27-67.
Kruse, Robert J. A Cultural Geography of the Beatles: Representing Landscapes as Musical Texts (Strawberry Fields, Abbey Road, and Penny Lane). Lewiston, NY: E. Mellen Press, 2005.
Kuykendall, James Brooks. “The English Ceremonial Style circa 1887-1937 and its Aftermath.” Ph.D. diss., Cornell University, 2005.
Lancaster, Philip. “‘Waking Up England’: W. Denis Browne and The Comic Spirit.” British Music: Journal of the British Music Society 26 (2004): 47-74.
Langfield, Valerie. Roger Quilter: His Life and Music. Woodbridge, UK: Boydell & Brewer, 2003.
Lapman, Lewis H. With the Beatles. Hobokoen, NJ: Melville House, 2005.
Lee-Browne, Martin. “Frederic Austin: ‘A Most Versatile Musician’.” British Music: Journal of the British Music Society 26 (2004): 15-38.
Leech, Caroline, ed. Welsh National Opera. Cardiff: Graffeg, 2006.
Letters and Diaries of Kathleen Ferrier. Edited by Christopher Fifield. Woodbridge, UK: Boydell & Brewer, 2003.
Letters of Gerald Finzi and Howard Ferguson. Edited by Howard Ferguson and Michael Hurd. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2001.
The Life and Music of Brian Boydell. Edited by Gareth Cox, Axel Klein, and Michael Taylor. Dublin: Irish Academic Press, 2004.
Lloyd, Stephen. William Walton: Muse of Fire. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2002.
Lowerson, John. Amateur Operatics: A Social and Cultural History. Manchester, UK: Manchester University Press, 2005.
Mace, Nancy A. “Charles Rennett and the London Music-Sellers in the 1780s: Testing the Ownership of Reversionary Copyrights.” Journal of the Royal Musical Association 129 (2004): 1-23.
Mackenzie of Ord, Alexander and Kenneth Mobbs. “The Musical Enigma of Longman and Broderip’s Monochord, c. 1790.” Galpin Society Journal 57 (2004): 46-52.
Manning, Toby. The Rough Guide to Pink Floyd. London: Rough Guides, 2006.
Mason, Nick. Inside Out: A Peronal History of Pink Floyd. Edited by Philip Dodd. San Francisco: Chronicle Books, 2005.
Maus, Christoph. Beatles Worldwide: An Anthology of Original LP-Releases in More than 40 Countries, 1962-1972. Hamburg: Maus of Music, 2004.
McCarthy, Kerry. “Byrd, Augustine, and Tribue, Domine.” Early Music 32 (2004): 569-76.
McCarthy, Kerry. “‘Notes as a Garland’: The Chronology and Narrative of Byrd’s Gradualia.” Early Music History 23 (October 2004): 49-84.
McCarthy, Kerry. “William Mundy’s ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary.” Music & Letters 85.3 (August 2004): 353-67.
McFlicker, Todd. All You Need is Love to Dismantle an Atomic Bomb: How the Beatles and U2 Changes the World. New York: Continuum, 2007.
McKay, George. Circular Breathing: The Cultural Politics of Jazz in Britain. Durahm, NC: Duke University Press, 2005.
McLaughlin, John. One Green Hill: Journeys through Irish Songs. Belfast: Beyond the Pale, 2003.
McVeagh, Diana. Gerald Finzi: His Life and Music. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Mellers, Wilfred. “Fear No More: Myth and Miiracle in a Song of Shakespeare.” Musical Times 145 (Winter 2004): 75-84.
Mitchell, Alastair. “Celebratory Music of the Masters of the Queen’s (King’s) Musick in the Twentieth Century.” British Music: Journal of the British Music Society 26 (2004): 4-12.
Montgomery, Robert and Robert Threlfall. Music and Copyright: The Case of Delius and His Publishers. Aldershot, UK: Ashgate, 2007.
Moore, Jerrold Northrop. Elgar: Child of Dreams. London: Faber, 2004.
Music Entries at Stationers’ Hall. 1710-1818. Compiled by Michael Kassler, foreword by D. W. Krummel. Aldershot, UK: Ashgate, 2004.
Music Librarianship in the United Kingdom: Fifty Years of the United Kingdom Branch of the International Association of Music Libraries, Archives and Document Centres, edited by Richard Turbet. Aldershot, UK: Ashgate, 2003.
A New Way of Making Fowre Parts in Counterpoint by Thomas Campion and Rules How to Compose by Giovanni Coprario. Edited by Christopher R. Wilson. Music Theory in Britain, 1500-1700: Critical Editions, edited by Jessie Owens. Aldershot, UK: Ashgate, 2003.
Newsome, Roy. The Modern Brass Band: From the 1930s to the New Millennium. Aldershot, UK and Burlington, VT: Ashgate, 2006.
Nineteenth-Century Music Studies, volume 3. Edited by Peter Horton and Bennett Zon. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2003.
O’Connell, Julia Grella. “Of Music, Magdalenes, and Metanoia in The Awakening Conscience” Journal of Musicological Research 24/2 (April-June 2005), 123-43.
O’Donnell, Jim. The Day Jim met Paul: An Hour-by-Hour Account of How the Beatles Began. New York: Routledge, 2006.
Oh, my Horses!: Elgar and the Great War. Edited by Lewis Foreman. Rickmansworth: Elgar Editions, 2001.
Olleson, Philip. Samuel Wesley: The Man and his Music. Woodbridge, UK: Boydell & Brewer, 2003.
Olleson, Philip and Fiona Palmer. “Publishing Music from the Fitzwilliam Museum, Cambridge: The Work of Vincent Novello and Samuel Wesley in the 1820s.” Journal of the Royal Musical Association 130 (2005): 38-73.
Ono, Yoko, ed. Memories of John Lennon. New York: HarperEntertainment, 2005.
Palmer, Fiona M. Vincent Novello (1781-1861): Music for the Masses. Aldershot: Ashgate, 2006.
Parkinson, Judy. Elton, Made in England. London: Michael O’Mara Books, 2003.
Parsons, Laurel. “Elizabeth Lutyens’s Music Drama ‘The Numbered’ (1967): A Critical-Analytic Study.” Ph.D. diss., University of British Columbia, 2003.
Parsons, Laurel. “Music and Text in Elizabeth Lutyens’s Wittgenstein Motet.” Canadian Univesrity Music Review 20/1 (1999): 71-100.
Parsons, Laurel. “‘Time Management with Twele-Tone Lizzie’: Metric, Dramatic Design in a Scene from Elisabeth Lutyens’s ‘The Numbered’.” Theory and Practice (2006): 153-80.
Elizabeth, Partridge. John Lennon: All I Want is the Truth: A Biography. New York: Viking, 2005.
Payne, Ian. The Almain in Britain, c. 1549-c. 1675: A Dance Manual from Manuscript Sources. Aldershot, UK: Ashgate, 2003.
Patton, Marcus. The Opera Hat of Sir Hamilton Harty. Belfast: Grand Piano Press, 2003.
Pike, Lionel. Pills to Purge Melancholy: The Evolution of the English Ballet. Music Theory in Britain, 1500-1700: Critical Editions, edited by Jessie Owens. Aldershot, UK: Ashgate, 2004.
Pitt, Stephanie E. “‘Everybody wants to be Pavarotti: The Experience of Music for Performers and Audience at a Gilbert and Sullivan Festival.” Journal of the Royal Musical Association 129 (2004): 143-60.
Platoff, John. “John Lennon, ‘Revolution,’ and the Politics of Musical Reception.” Journal of Musicology 22/2 (Spring 2005), 241-67.
Portrait of Percy Grainger. Edited by Malcolm Gillies and David Pear. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Prezler, June. John Lennon. Mankato, IN: Capstone Press, c. 2005.
Rapp, Will. The Wind Band Masterworks of Hoslt, Vaughan Williams, and Grainger. Galesville, MD: Meredith Music Publications; Milwaukee, WI: Exclusively distributed by Hal Leonard, 2005.
Rappaport, Doreen. John’s Secret Dreams: The Life of John Lennon. Illustrated by Bryan Collier. New York: Hyperion Books for Children, 2004.
Rastall, Richard. Minstrels Playing: Music in Early English Religious Drama II. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2001.
Read the Beatles: Classic and New Writings on the Beatles, their Legacy, and Why They Still Matter. New York: Pengiun Books, 2006.
A Rebecca Clarke Reader. Edited by Liane Curtis. Bloomington, IN: Indiana University Press, c. 2004.
Rees, Owen. “Adventures of Portuguese ‘Ancient Music’ in Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’; and Musical Antiquarianism, 1650-1850.” Music & Letters 86.1 (2005): 42-73.
Reeve, Andru J. Turn me on, Dead Man: The Beatles and the "Paul is Dead" Hoax. Bloomington, IN: AuthorHouse, 2004.
Reising, Russell, ed. Speak to Me: The Legacy of Pink Floyd's The Dark Side of hte Moon. Aldershot, UK: Ashgate, 2004.
Rej, Bent. The Rolling Stones: In the Beginning. Buffalo, NY: Firefly Books, 2006.
Rice, Albert. “The clarinet in England During the 1760s.” Early Music 33.1 (February 2005): 55-64.
Rice, Paul F. The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog. Detroit Studies in Music Bibliography No. 84. Warren, MI: Harmonie Park Press, 2003.
Ridgewell, Rupert M. Concert Programmes in the UK and Ireland: A Preliminary Report. London: IAML and the Music Libraries Trust, 2003.
Robins, Brian. Catch and Glee Culture in Eighteenth-Century England. Woodbridge; Rochester, NY: The Boydell Press, 2006.
Rogan, Johnny. Van Morrison: No Surrender. London: Secker & Warburg, 2005.
Roger North’s The Musicall Grammarian: 1728. Cambridge, MA and New York: Cambridge University Press, 2006.
Ross, Ryan. “‘They Dance No Sarabande’: Constant Lambert, The Rio Grande,
and the American Exotic.” American Music Research Center Journal 14 (2004):
53-75.Rouse, Andrew C. The Remunerated Vernacular Singer: From Medieval England to the Post-War Revival. Frankfurt; New York: Peter Lang, 2005.
Rupprecht, Philip. “Above and Beyond the Bass: harmony and texture in George Benjamin’s Viola, Viola.” Tempo 59/232 (April 2004): 28-38.
Russell, J.P. The Beatles Complete Discography. New York: Universe, 2006.
Scharen, Christian Batalden. One Step Closer: Why U2 Matters to Those Seeking God. Grand Rapids, MI: Brazos Press, 2006.
Schwensen, Dave. The Beatles in Cleveland: Memories, Facts & Photos About the Notorious 1964 & 1966 Concerts. Vermilion, OH: North Shore Pub., 2007.
Scott-Sutherland, Colin. “‘What the Minstrel Told Us’: Ronald Stevenson, Bax and the North.” British Music: Journal of the British Music Society 26 (2004): 76-79.
Selected Letters of Michael Tippett. Edited by Thomas Schuttenhelm. London: Faber and Faber, 2005.
Self-Portrait of Percy Grainger. Edited by Malcolm Gillies, David Pear, and Mark Carroll. Oxford: Oxford University Press, 2006.
Simpson, Adrienne. Alice May: Gilbert and Sullivan’s First Prima Donna. New York: Routledge, 2003.
Sir Arthur Somervell on Music Education. Edited by Gordon Cox. Woodbridge, UK: Boydell & Brewer, 2003.Smith, Jeremy L. “Music and Late Elizabethan Politics: The Identities of Oriana and Diana.”Journal of the American Musicological Society 58/3 (Fall 2005): 507-58.
Solie, Ruth. Music in Other Words: Victorian Conversations. Berkeley: University of California Press, 2004.
Southey, Roz. Music-Making in North-East England during the Eighteenth Century. Aldershot, UK: Ashgate, 2006.
‘Speak to Me’: The Legacy of Pink Floyd’s The Dark Side of the Moon. Edited by Russell Reising. Aldershot, UK: Ashgate, 2006.
Spitz, Bob. The Beatles: The Biography. New York: Little, Brown, 2005.
Spizer, Bruce. The Beatles are Coming!: The Birth of Beatlemania in America. Foreword by Walter Cronkite. New Orleans: 498 Productions, 2004.
Spizer, Bruce. The Beatles Solo on Apple Records. New Orleans, 498 Productions, 2005.
Spoehr, Hardy. Upoho uka nui ò Kekokia = Scotland's Great Highland Bagpipe: The Story of Bagpipes, Bagpipers, and Bagpipe Bands in Hawaiì, with Accounts of King Kalakaua's Visit to Scotland. Honolulu: Kiìlea Pub., 2004.
Spring, Matthew. The Lute in Britain: A History of the Instrument and Its Music. Oxford Early Music Series. Oxford: Oxford University Press, 2001.
Stark, Steven D. Meet the Beatles: A Cultural History of the Band that Shook Youth, Gender, and the World. New York: HarperEntertainment, 2005.
Stevens, John. The Late Cambridge Songs: An English Song Collection of the Twelfth Century. Oxford: Oxford University Press, 2005.
Sweers, Britta. Electric Folk: The Changing Face of English Traditional Music. Oxford: Oxford University Press, 2004.
Swynnoe, Jan G. The Best Years of British Film Music, 1936-1958. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2002.
Temperley, Nicholas. Bound for America: Three British Composers. Urbana: University of Illinois Press, 2003.
Temperley, Nicholas. The Music of the English Parish Church. Cambridge and New York: Cambridge University Press, 2005.
Thomas Tomkins: The Last Elizabethan. Edited by Anthony Boden, Denis Stevens, David R.A. Evans, and Bernard Rose. Aldershot, UK: Ashgate, 2005.
Thompson, Stacy. “Crass Commodities.” Popular Music and Society 27.3 (October 2004): 307-22.
Thomson, Aidan J. “Elgar and Chivalry.” 19th-Century Music 28/3 (Spring 2005), 254-275.
Till, Nicholas. “First-Class Evening Entertainments: Spectacle and Social Control in a Mid-Victorian Music Hall.” New Theatre Quarterly 20.1 (February 2004): 3-18.
Toop, Richard. “Forschung, Formung, Fantasie: Der britische Komponist Benedict Mason.” Neue Zeitschrift fur Musik 165.6 (November-December 2004): 58-59.
Turbet, Richard. “Joyful Singing: Byrd’s Music at a Royal Christening.” Musical Times 145 (Spring 2004): 85-86.
Turbet, Richard. William Byrd: A Guide to Research. New York: Routledge, 2006.
Tyldesley, William. Michael William Balfe: His Life and His English Operas. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2003.
U2: The Best Propaganda: 20 Years of the Official U2 Magazine. Foreword by U2 and Paul McGuinness. New York: Thunder’s Mouth Press, 2003.
U2 and Philosophy: How to Decipher an Atomic Band. Chicago: Open Court, 2006.
The U2 Reader, compiled and edited by Hand Bordowitz, with a foreword by John Swenson. Milwaukee, WI: Hal Leonard, 2003.
Vaughan Williams Essays. Edited by Byron Adams and Robin Wells. Aldershot, UK: Ashgate, 2003.
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Venn, Edward. “Serenades and Elegies: The Recent Music of Hugh Wood.” Tempo 59 (January 2005): 2-13.
Villiers, Eric. Ireland's first 'Soul' Singer: The Forgotten Story of Mary Connolly. Omagh: Eric Villiers, 2002.
Wagenheim, Allan J. John Field and the Nocturne. Philadelphia: Xlibris Corporation, 2006.
Wagner, Naphtali. “Fixing a Hole in the Scale: Suppressed Notes in the Beatles’ Songs.” Popular Music 23.3 (October 2003): 257-69.
Wall, Mick. Bono: In the Name of Love. London: A. Deutsch, 2005.
Wall, Mick. John Peel: A Tribute to the Much-Loved DJ and Broadcaster. London: Orion, 2005.
Weber, William. Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna Between 1830 and 1848. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2003.
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Weliver, Phyllis. The Figure of Music in Nineteenth-Century British Poetry. Aldershot, UK: Ashgate, 2005.
Weliver, Phyllis. The Musical Crowd in English Fiction, 1840-1910: Class, Culture and Nation. Palgrave Studies in Nineteenth-Century Writing and Culture. Gordonsville, VA: Palgrave Macmillan, 2006.
Weliver, Phyllis. Women Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate, 2000.
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White, Harry. The Progress of Music in Ireland. Dublin and Portland, OR: Four Courts Press, 2005.
White, Kelly J. and Arnold Myers. “Woodwind Instruments of Boosey & Company.” Galpin Society Journal 57 (2004): 62-80.
Wiley, Christopher. “‘When a Woman Speaks the Truth About her Body’: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography.” Music & Letters 85.3 (2004): 388-414.
Winkler, Amanda Eubanks. O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage. Bloomington: Indiana University Press, 2006.
Woodfield, Ian. Salomon and the Burneys: Private Patronage and a Public Career. Royal Music Association Monographs, Mark Everist, no. 12. Aldershot, UK: Ashgate, 2003.
Wren, Gayden. A Most Ingenious Paradox: The Art of Gilbert and Sullivan. Oxford: Oxford University Press, 2001.
Yelloly, Margaret. “‘The Ingenious Miss Turner’: Elizabeth Turner (d 1756), Singer, Harpsichordist and Composer.” Early Music 33.1 (February 2005): 65-80.
Yim, Denise. Viotti and the Chinnerys: A Relationship Charted through Letters. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2004.
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Last updated March 2008